Excerpt
from the book "Master Your Fly Casting"
…and Have Fun Doing It
By Jim C. Chapralis
Confessions
of an addicted long distance fly caster
by Jim C. Chapralis
IT'S A HOT,
SWELTERING, HUMID DAY. Sweat rolls down my face, first in tiny beads,
but soon they merge to form an unending procession of rivulets. I walk
to the athletic field, which is exactly 192 steps from my front door.
I'm relieved that no one is there-kids won't practice baseball in this
hot weather-so I have the whole place to myself.
I rig my tackle by
the baseball bench and then walk another 153 feet parallel to the fire
hydrant. I test the wind by throwing pieces of parched grass in the
air, but there isn't even the slightest breeze to fan this northern
Chicago suburb. The grass falls straight down.
I stretch the mono
shooting line and rub out the kinks from the leader. I then perform a
few stretching exercises, twirl my arms around, first clockwise, then
counter-clockwise, then swing them back and forth.
"It's important
to stretch before any physical activity, especially if it's violent
exercise," my physical therapist recommended when he treated my
casting arm following a recent fall. Distance fly casting can be
violent! So I do my stretching exercises first.
I start with short
casts and then lengthen them a few feet at a time. I question my
sanity: Why am I out here in the blazing midday sun? If I had any
sense at all, I'd be in my air-conditioned home, sipping some
Kool-Aid, laughing at a Seinfeld rerun or the Chicago Cubs or some
other comedy.
The 2004 National
Tournament is in Lexington, Kentucky. In a way, it's probably good
that I'm practicing in this torrid, muggy weather, for it will prepare
me for the furnace that blows full blast in Lexington during early
August.
My first attempt at
some distance is about 120 feet. I try again. The line unfolds back
and forth in undulating loops, and when I think I have a good back
cast, I put more power into the forward cast and speed up my final
haul. The line sails and it looks like it's going to be a fine cast:
good acceleration, nice trajectory and a narrow, driving loop. But
suddenly the front end of the fly line hits an invisible wall and
limps down to earth in a gob of fly line followed by about 10 feet of
fluttering leader. This clump lands about a dozen feet from the bench,
which makes it about a 140-ft. cast. Sure, if it had straightened out,
it would have been 165, maybe more. But it didn't. It almost never
straightens out on this practice field. Something about down drafts.
Bummer!
I've got a couple of
weeks' practice time prior to the tournament. By now I'm soaking wet
from perspiration.
An inner voice speaks
to me and I listen: "Jim, let's wind this up. It's too hot and
muggy. Why don't we go back to the air-conditioned house, get an ice
cold drink, and give this a try on another cooler day! Now wouldn't
that be better?"
Yeah, it would.
Sounds good. The voice that looks out for my comfort is right. Good
advice. This is stupid. I start to reel in, when another voice pops up
in my head: "Hold it right there, Jimbo! What are you doin'?
Surely you're not quitting! You haven't broken 140 feet and don't give
me any excuses about the heat. Remember, 'no pain, no gain'?"
So I strip out some
line and vow to continue my practice session and prepare for another
cast.
The first voice comes back. "Listen to me, Jim. You're 72. You
just had a stent inserted a few months ago because of blockage. In
fact, if it weren't for Drs. Sabbia and Kogan, you'd be history by
now. You want to make Sally a widow?" The "voice of
comfort" definitely had a point. I'm lucky to be alive.
"Jim, Jim, Jim.
Don't listen to that quitter!" The "voice of
conscience" was back. "I'll tell you what: You hit the bench
and you can go in. That's 153 feet. And you know this is a terrible
place to cast, because of down drafts, so that means anywhere else
that cast would be 163 feet or better. Go ahead now and do a Rajeff
imitation . . . or a Korich, or a Mittel. Hit the bench and we go
in."
And so I try to
imitate the Steve Rajeff style. Then a Korich. Then a Mittel. And I
throw in a Gillibert imitation for good measure. All these young West
Coasters have collected many gold medals. Rajeff's signature is that
explosive delivery on his final cast. Korich, a southpaw, has that
very graceful haul-you can draw a straight line from his left casting
hand down to his extended right-hand haul on that final cast.
Gillibert is not a big fellow but he knows how to develop line speed
like few others, and Mittel has become very serious about distance fly
now and, heck, he is a physicist so he knows all that stuff about loop
sizes, air resistance, gravity and trajectory.
So I do all the
imitations. I throw in a few options of my own. I experiment with a
longer overhang. I stop the rod higher, but sometimes I strive for a
low trajectory. By now I'm exhausted, soaking with perspiration,
talking to myself, or, worse, I'm threatening my tackle: "Listen!
You better land a lot further if you know what's good for you."
Maybe the sun has gotten to me. Good thing no one's around to hear
this.
I put everything
behind the next cast. And it goes. The leader drapes over the bench so
the fly ends up a few feet beyond it. It was a cast of 155 maybe 158
feet. Had it all straightened out it would have been 175 feet . . .
maybe more.
So I reel in and drag
myself home. Sally tells me I look like a soakin' wet koala bear:
"Put your clothes in the hamper and yourself in the shower. Drink
some water."
Life is good!
I'VE BECOME active in
tournament casting again after a hiatus of about 50 years. Back then,
in the "olden days," the rules and equipment were very
different. This was before graphite rods were invented. To make a
decent distance fly line then, we bought silk fly lines by the foot in
various diameters and then we painstakingly spliced about eight
different sections together. Nylon fly lines and fiberglass rods were
just making an appearance then.
In today's world of graphite rods and high-density tapered lines, the
great, young casters talk about loops and rod arcs and paths and
trajectory and strokes. So many things. In the late 1940s, Clare
Bryan, my casting mentor, usually would say, "Watch this,"
and he would demonstrate a double haul cast: "Okay, now you do
it." And I did, or tried to.
"No, no -like
this!" Clare would insist, sometimes impatiently. And I tried and
tried some more, and since my desire was genuine, I eventually got the
hang of it and some casts soared. The soft, almost parabolic
split-bamboo rods we used in those days featured a slower action,
which required a different, longer stroke.
Today, aspiring distance fly casters have it easy because they can
view DVDs and tapes of some of our best casters. There are excellent
casting instruction books and wonderful Web sites that include
animated visual graphics of the double haul. Certified casting
instructors are available at a fair rate.
Yeah, I cast the
other events in tournaments-Dry Fly, and Trout Fly and Bass Bug and
some of the plug events-but it's the distance fly events that attract
me to the National.
It's an addiction. I
daydream of landing cagey big browns at my favorite streams, but I
also dream of making that once-in-a-lifetime long cast in a National.
My lofty goals may never be fufilled, but I'm going to try until I
can't cast or fish anymore.
I explain my long
distance fly casting addiction to John "Coach" Seroczynski,
president of the American Casting Association. "Coach, the
distance fly games are the main events. The accuracy and all the other
events are really warm-up and cool-down events. You know, when Frank
Sinatra would perform in Vegas, they would have a couple of acts just
to warm up the crowd. Right? Same here. And all games after are held
simply to 'cool down' the participants and spectators from the high
voltage frenzy of the distance fly games. I mean you don't want them
to drive home all 'wired up,' do you?"
Coach laughs. He understands. I think.
MY PRACTICE SESSIONS
at the athletic field are not without some humor. Neighbors ask me,
"How's fishing?" Or, "Did you catch any today?"
"Naw, but I
think I hooked and lost a big one," I answer every time in a
serious tone. They laugh. Ha! Ha!
One of these days,
I'm going to buy several rainbow trout from the fish market and put
them on ice in a cooler and take it to my practice field. When the
same people ask the same questions, I'll reply:
"Yeah, I caught
three beauties this morning. They were hittin' pretty good on a Royal
Wulff. Here, take a look."
On second thought
maybe I won't do that. With the escalating price of fish these days, I
might find lots of fishermen casting for fish on my practice field.
I ALWAYS had a mania
for distance, whether it was hitting a baseball or punting a football.
Amazingly I remember my longest hit in baseball and a booming punt
that I made some 50 years ago. It's no different in distance fly
casting. You remember the long ones whether it's in practice or in a
tournament. Of course, I remember my longest cast in practice at the
athletic field near my house. Let me tell you about it.
It soared, high and
mightily, pulling yards of mono shooting line at an incredible speed
until there was no more loose line left on the ground. Then I heard
that beautiful sound-the screeching reel-which meant that the cast had
sufficient energy to angrily demand more line from the reel. I could
not see where the fly landed, but I was sure the line had straightened
out reasonably well, which is usually the case when you hear the reel
scream. I pumped a clenched fist high in the air, in the best Tiger
Woods tradition.
"What a
cast!" I shouted with uncontrolled exuberance. And then I pumped
my fist again. "Bring on Rajeff! Bring on Korich!"
I hurried toward the
fly. My plan was to mark the exact spot where the fly landed, then go
home, get my 200-foot tape and measure the cast exactly to the inch.
Stepping it off is not an accurate method of measurement.
In my excitement and
celebratory fist pumping, I didn't notice that the monofilament
shooting line had wrapped around my shoe, until it was too late. As I
joyously trudged toward the fly, I was pulling in yards and yards of
line through the rod, which I had placed on the grass to mark my exact
casting position. There was no way I could measure that cast now.
Surely it was the longest I had ever made. Was the cast 180 feet? 190
feet? More than 200 feet? I was quite sure it was well over 180, but
was it over the magical 200 feet, the benchmark of long distance
casters? I'll never know.
THE NATIONALS are
only about ten days away. I'm seriously thinking about canceling my
trip to Lexington, because I feel lousy. Physically and mentally. I
was sure that this was due to all the prescribed medicines I was
taking to keep my blood thin following the stent surgery. When I walk
up 12 steps in our house, I am exhausted. Before the stent? No
problem!
But there was another
reason I had lost interest in going to the National. Bus Duhamel was
very ill. He is a dear friend of almost 40 years and while he is 93
years old, it was only a few years ago that we waded a Wisconsin trout
stream late at night and fooled some big trout. We did this in total
darkness: no moon above to guide us through this river section that
was booby trapped with a few sunken branches, some rocks, and, of
course, several deep holes, too. He was what, 88 or 89 at the time? It
was that year, or maybe the year before, that he captured the Angler
of the Year award for our trout camp because of the incredible catch
he made one evening.
Bus was very weak now. I told him I would not go to the tournament.
"You go!" He instructed sternly. "And I don't want to
hear of a Silver or a Bronze medal. You go and get the Gold. Promise
me."
"I promise, Bus.
I will win the Gold." But I only said that because he insisted on
it. And Bus could be stubborn.
And so I went to Lexington. I felt punk. Not only was I feeling sick,
but also my arm now was hurting from that previous fall. I could
hardly move it. I had to use my left arm to drink coffee that morning.
It was hot on the
distance fields. The excitement was there. The joy on faces. The high
anxiety as casters made their final practice shots. Some were making
minor adjustments to leader lengths; others sought a little time to
themselves to review their strategy. Judges with timers were ready. So
were the young fellows out in the field who were trained to mark casts
quickly.
I approached John
Seroczynski, a superb veteran caster. "Coach, I don't think I can
cast. I feel lousy. Can't move my arm much. I feel sick."
"Listen, Jim.
You feel good. This is the National. Everyone feels good at the
National even if they don't! Now here are my keys, go into my car,
turn on the engine and air conditioner and take a nap. You are the
last caster and I'll call you."
So I followed Coach's
instructions. I fell asleep. The cool air-conditioner and the purring
sound of the engine proved to be very soporific.
"All right,
Chapralis, you're up next. Get ready," Coach barked.
My rod had already
been checked to meet the regulations for the One-Hand Fly Distance
Event.
John Seroczynski
starts giving me instructions. I felt like a boxer in the ring,
getting last minute advice from the manager. "Okay, now take it
easy. Wait for a breeze. Stop the rod high. And pull your left arm all
the way back on the final haul."
In the One-Hand Fly
Distance Event you are allowed a ghillie who can offer advice, strip
in the line after a cast for you, and, in general, help the caster.
Coach was my ghillie.
I think someone said
that Zack Willson was the leading caster in the Senior Division with a
160+ ft. cast. Yikes! I tried to find out. "Don't worry about the
other scores. You just cast!" Coach said.
I made some fair
casts-I think-but I had no idea how far they went. In this event, a
participant has five minutes to make as many casts as he wants, and
the longest cast determines the winner. The second longest cast is
recorded in case of ties. Minutes ticked by. Funny how fast five
minutes goes when you are in the caster's box.
"You're doing
okay. But wait for a breeze," Coach instructed.
"How far do you
think I'm casting?"
"Hey, Chapralis
you have enough time for one cast, maybe two. Just wait. There should
be another puff of wind in a few seconds."
But I didn't wait. A
couple of false casts and then I released my presentation cast. Coach
was striping in the line fast, spiderlike, to see if I could get in
another cast-a good breeze came up. "Why didn't you wait?"
Coach shook his head, but he was smiling, too. "Geez, you should
have waited for that breeze."
"Time's
up!" Too late. The judge shouted as I prepared to get in another
cast.
My two long casts
were recorded. One of the boys brought in the scorecards.
"172 feet! You
won, Chapralis! You won the Senior Division." Coach announced
after studying the card. "Congratulations! If you had listened to
me on that last cast and waited a just few seconds for that nice
breeze, you might have tied or beaten the Senior's record of 180
feet." I was nine feet short of a new record for seniors.
I was overwhelmed with emotion. A few minutes ago I felt sick. I could
hardly move my arm. I didn't think I could cast. Adrenaline does
remarkable things. Tears of joy dripped down my face. I was crying and
I didn't care.
"Are you okay?
Are you okay?" Coach was concerned. I had told him that I had
some medical information in my wallet in case something happened.
"I'm fine. I'm
delighted to have won the Gold, but I'm mostly happy that I kept my
promise to Bus."
The Angler's Distance
Fly Event took place right after that. It's a similar event except
that casters are restricted to a lighter line (equivalent to a No.
10/11). I also won the Gold for seniors in that event with a cast of
153 feet.
I called Bus. He was
in an oxygen tent. He could not speak on the phone. I talked to
Mildred, his wife. "Bus is not doing very well," she
informed me.
"Could you do me
a favor? Could you tell him I won the Gold in distance fly for
him?" "Absolutely." I could hear her telling him. Then
a little later, she said: "Bus gave a 'thumbs up' sign. And he
smiled. He said something but I couldn't understand him. But he
smiled."
Bus died a few days
later.
I had planned to put
the Gold medal in Bus's casket. But his instructions were that he
would be cremated. He didn't want any special ceremony. No hoopla. No
speeches. He just wanted to be cremated and for his family to dispose
of his ashes. Quiet like.
Bus was that kind of
a guy.
IT'S A HOT,
SWELTERING, HUMID DAY. Sweat rolls down my face, first in tiny beads,
but soon they merge to form an unending procession of rivulets. I walk
to the athletic field, which is exactly 192 steps from my front door.
I rig my tackle by the baseball bench and then walk another 153 feet
parallel to the fire hydrant.
Just like I've done
so many times before.
I listen to the two inner voices argue. I make my casts. I need to go
farther. The 2005 National Tournament at Dundee, Michigan, is only a
few weeks away.
And I need to
practice.
This
was a excerpt
from the book
"Master Your Fly Casting"
…and Have Fun Doing It
By Jim C. Chapralis.
Copyright 2006.
Angling Matters Press 216 p.
Description:
Softcover. 216 pages (5½ X 8½ in.). 64 black and white
illustrations. Full-color cover.
ISBN 0-970865368
For more information: www.flycastingbook.com
Book
presentation
Master Your Fly
Casting! . . . and have fun doing it is not a how-to-cast book. There
are lots of great books, videos, Web sites, casting instructors and
fly fishing schools that teach the basics. This book assumes you know
the basic simple casting stroke. Back cast, pause, forward cast.
The problem: Most
hopefuls learn to cast well enough to catch some fish, but many put
away that fly rod until the next fishing trip, which may be months
away, and learned lessons—casting stroke, timing and narrow loops—dissolve
into a hazy memory. “Geez, did Bob tell me to stop the rod here or
there? Thumb on top of the grip. Right? Do I cast with my wrist?”
Forgotten lessons.
The answer: Practice.
This holds true not only for novice casters but also intermediate
anglers and even experts. Amazingly, the top 10 fly casters in the
world practice casting on a continuing basis. Some on a weekly basis.
Practice is not a user-friendly word to most of us. It’s like having
to practice music scales when instead we want to play Bach or
Beethoven. Or Brubeck or Basie.
Make practice fun:
Casting practice on a lawn or pond soon becomes b-o-r-i-n-g! Ho-hum.
Zzzz. But add some targets and a series of progressive step-by-step
disciplines or “games” and immediately practice becomes so
interesting that you’ll want to practice often. You may want to get
your fishing friends or family involve. Maybe even start a casting
club.
Be assured that once
you get the hang of these fun events, you are going to love these
games. Many of you will find these games not only fun but perhaps
addictive. You may even want to compete in a local, regional and
perhaps later a National tournament.
Designed to make
fly-casting practice more motivating and fun, these exercises employ a
series of targets and challenges to encourage fly casters to hone
their skills and develop from merit-class into master-class anglers, a
position that only the top 10% of casters achieve. An introduction to
the American Casting Association's (ACA) official fly events and
regulations is an integral part of the program, and casters are
encouraged to incorporate the challenges associated with these events
into their practice rounds and to score their results as if
participating in tournament play in order to fine tune their
techniques and prepare for actual competitions. Master Your Fly
Casting! also includes interviews with accomplished casters,
information on starting a casting clubs, and instructions for using a
video camera to improve casting techniques rounds out this informative
work.
Remember. The most
important ingredient of fly fishing skill is the ability to put the
fly exactly where you want to. Master Your Fly Casting! is the only
book that concentrates entirely on practice casting…and have fun
doing it.
|